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BELLOTTO, Bernardo
Italian Rococo Era Painter, ca.1721-1780 Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto". Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.

 

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BELLOTTO, Bernardo The Scuola of San Marco gh oil painting

Painting ID::  5115

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BELLOTTO, Bernardo
The Scuola of San Marco gh
1738-40 Oil on canvas, 42 x 69 cm Gallerie dell'Accademia, Venice
   
   
     

 

 

BELLOTTO, Bernardo View of the Grand Canal at San Stae oil painting

Painting ID::  5116

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BELLOTTO, Bernardo
View of the Grand Canal at San Stae
1738-40 Oil on canvas, 70,5 x 126,5 cm Private collection
   
   
     

 

 

BELLOTTO, Bernardo The Piazza della Signoria in Florence oil painting

Painting ID::  5117

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BELLOTTO, Bernardo
The Piazza della Signoria in Florence
c. 1742 Oil on canvas, 61 x 90 cm Museum of Fine Arts, Budapest
   
   
     

 

 

BELLOTTO, Bernardo Capriccio with the Colosseum oil painting

Painting ID::  5118

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BELLOTTO, Bernardo
Capriccio with the Colosseum
1743-44 Oil on canvas Galleria Nazionale, Parma
   
   
     

 

 

BELLOTTO, Bernardo Capriccio of the Capitol oil painting

Painting ID::  5119

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BELLOTTO, Bernardo
Capriccio of the Capitol
1743-44 Oil on canvas Galleria Nazionale, Parma
   
   
     

 

 

BELLOTTO, Bernardo View of the Villa Cagnola at Gazzada near Varese oil painting

Painting ID::  5120

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BELLOTTO, Bernardo
View of the Villa Cagnola at Gazzada near Varese
1744 Oil on canvas, 100 x 65 cm Pinacoteca di Brera, Milan
   
   
     

 

 

BELLOTTO, Bernardo View of Gazzada near Varese oil painting

Painting ID::  5121

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BELLOTTO, Bernardo
View of Gazzada near Varese
1744 Oil on canvas Pinacoteca di Brera, Milan
   
   
     

 

 

BELLOTTO, Bernardo View of Turin near the Royal Palace oil painting

Painting ID::  5122

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BELLOTTO, Bernardo
View of Turin near the Royal Palace
1745 Oil on canvas, 129,5 x 174 cm Galleria Sabauda, Turin
   
   
     

 

 

BELLOTTO, Bernardo The Kreuzkirche in Dresden oil painting

Painting ID::  5123

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BELLOTTO, Bernardo
The Kreuzkirche in Dresden
1747-56 Oil on canvas, 197 x 187 cm The Hermitage, St. Petersburg
   
   
     

 

 

BELLOTTO, Bernardo View of Dresden from the Right Bank of the Elbe with the Augustus Bridge oil painting

Painting ID::  5124

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BELLOTTO, Bernardo
View of Dresden from the Right Bank of the Elbe with the Augustus Bridge
748 Oil on canvas, 133 x 237 cm Gemäldegalerie, Dresden
   
   
     

 

 

BELLOTTO, Bernardo Dresden, the Frauenkirche and the Rampische Gasse oil painting

Painting ID::  5125

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BELLOTTO, Bernardo
Dresden, the Frauenkirche and the Rampische Gasse
1749-53 Oil on canvas, 193 x 186 cm Gemäldegalerie, Dresden
   
   
     

 

 

BELLOTTO, Bernardo New Market Square in Dresden oil painting

Painting ID::  5126

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BELLOTTO, Bernardo
New Market Square in Dresden
1750 Oil on canvas, 136 x 236 cm Gemäldegalerie, Dresden
   
   
     

 

 

BELLOTTO, Bernardo New Market Square in Dresden from the Jdenhof oil painting

Painting ID::  5127

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BELLOTTO, Bernardo
New Market Square in Dresden from the Jdenhof
1749-51 Oil on canvas, 136 x 236 cm Gemäldegalerie, Dresden
   
   
     

 

 

BELLOTTO, Bernardo Zwinger Waterway oil painting

Painting ID::  5128

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BELLOTTO, Bernardo
Zwinger Waterway
1750 Oil on canvas, 133 x 235 cm Gemäldegalerie, Dresden
   
   
     

 

 

BELLOTTO, Bernardo Dresden, the Ruins of the Pirnaische Vorstadt oil painting

Painting ID::  5129

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BELLOTTO, Bernardo
Dresden, the Ruins of the Pirnaische Vorstadt
1762-63 Oil on canvas, 80 x 112 cm Mus??e des Beaux-Arts, Troyes
   
   
     

 

 

BELLOTTO, Bernardo The Ruins of the Old Kreuzkirche in Dresden gfh oil painting

Painting ID::  5130

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BELLOTTO, Bernardo
The Ruins of the Old Kreuzkirche in Dresden gfh
1765 Oil on canvas Gemäldegalerie, Dresden
   
   
     

 

 

BELLOTTO, Bernardo Dresden, the Ruins of the Pirnaische Vorstadt kinxt oil painting

Painting ID::  5131

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BELLOTTO, Bernardo
Dresden, the Ruins of the Pirnaische Vorstadt kinxt
1766 Etching Private collection
   
   
     

 

 

BELLOTTO, Bernardo Vienna, the Lobkowitzplatz oil painting

Painting ID::  5132

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BELLOTTO, Bernardo
Vienna, the Lobkowitzplatz
1759-60 Oil on canvas, 115 x 152 cm Kunsthistorisches Museum, Vienna
   
   
     

 

 

BELLOTTO, Bernardo Vienna, Panorama from Palais Kaunitz ffg oil painting

Painting ID::  5133

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BELLOTTO, Bernardo
Vienna, Panorama from Palais Kaunitz ffg
1759-60 Oil on canvas, 134 x 237 cm Museum of Fine Arts, Budapest
   
   
     

 

 

BELLOTTO, Bernardo View of Vienna from the Belvedere hjhk oil painting

Painting ID::  5134

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BELLOTTO, Bernardo
View of Vienna from the Belvedere hjhk
1759-60 Oil on canvas, 135 x 213 cm Kunsthistorisches Museum, Vienna
   
   
     

 

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BELLOTTO, Bernardo
Italian Rococo Era Painter, ca.1721-1780 Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto". Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.